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She smirks looking at his tensed body and throws her leg around his waist. Pallavi’s and her Mother in law’s suggestions is working in her way to get his attention. Anokhi can clearly feel the tension in his body and she is loving the effect on him. He is in a way disgusted with himself for feeling these things but then he is also enjoying the heat that is emitting from her body.
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She pretends like she is snoring in her sleep while he is not able to sleep with the all the uncomfortable and dirty thoughts that are going on in his mind even if he is trying to control them from occuring in his mind. It’s been long that he has ever been this close to a female body and this is just making him feel all the uncomfortable feelings in his body. Shaurya gulps as he can feel the heat emitting from her body. She smirks to herself and lays beside him in the bed. She comes out and Shaurya who was laying on the bed gets shocked seeing her. She waits for him to come out if the wash room abd once he is out, she goes inside the washroom and gets changed into het knee length night dress that she has brought for the night. In fact all she is feeling at the moment is to laugh out loud as he is exactly doing what she expected him to do. She should be sad with his behaviour but she has already expected this and knowing the amount of disking he has towards her, this is neither shocking nor painful for her and she is not feeling sad with his behaviour. Anokhi looks at the way he has gone lifting the veil with a smile on her face. He directly goes into the washroom banging the door on the way. Himaja and others add no value.Shaurya enters the room and looks at Anokhi who is sitting on the bed covering her face with a veil. Harsha Vardhan plays a character that would have been done by a Rao Ramesh in a star vehicle. Thaman's 'Digu Digu Digu Naga' is an enjoyable song, although the choreography is half-hearted. Murali Sharma, as Bhumi's father, makes total sense when he asks his wife (Nadhiya, whose characterization was supposed to be funny but it feels melodramatic) to give her daughter the time she needs to figure out what she wants in life. 'Varudu Kaavalenu' comes into its own in a few portions in the second half. Vishal Chandrasekhar's background music is too muted, while Vamsi Patchipulusu's cinematography is so-so. While Akash can solve others' problems without a lag, he takes forever to speak his mind, letting Bhumi remain confused/perplexed. Impressed by his instantaneous mediation skills, Bhumi opts for a dream song like a typical Telugu cinema heroine. He convinces a total stranger in two minutes flat to give his son in marriage to an orphan. To elevate Akash, everyone around him is shown to need his intervention/timely help. Also, why can't a female lead be unsanitized the way a Sekhar Kammula heroine is? A character stresses that Bhumi may have anger issues but she is sweet-hearted otherwise - as if we wouldn't be able to figure it out ourselves. Bhumi, the output-oriented boss who brooks no nonsense, inexplicably employs a good-for-nothing architect (Vennela Kishore's comedy doesn't elicit laughs). 'Veerudu Kaavalenu' should have been the title, serving as a warning.įor every decent element (a Chinmayi-crooned song here, a Sid Sriram rendition there), there is an outmoded trope waiting to make our experience boring.
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There comes a point when a key character asks Akash how come he is single when he knows how to bash up baddies. good-natured hero) has been done to death in Telugu cinema. Bhumi is harassed not once but twice by eve-teasers who behave like potential rapists. But the way the scenes play out, they feel too generic or stale. The flashback is where the soul of the film was supposed to be. We wait for Bhumi to explore her relationship with Akash, who is a Paris returnee drawn towards her from the word go. Soon enough, the occasionally incisive dialogues hold some promise. The film threatens to become another bland celebration of the simplicity of a life away from the gloss and glitz of the corporate world. In the beginning, director Lakshmi Sowjanya deploys the 'I love the saree-wearing Indian woman' trope without any justification whatsoever. But for this element, this film would have fallen flat despite the attempt at telling a coming-of-age love story between a soft-spoken, virtuous architect (Naga Shaurya as Akash) and a short-tempered woman in her late 20s. It's an early hint that she comes with an unpleasant past, which is kept suspenseful until the second half. In the initial moments of 'Varudu Kaavalenu', Bhumi (Ritu Varma as a fun-hating founder of an eco-friendly start-up) says that she doesn't remember how she used to be.
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Cast: Naga Shaurya, Ritu Varma and others